{"title":"Oak","description":"\u003cp\u003eAn omnibus of our oak-themed, ready-to-buy products (which are also in-stock).\u003c\/p\u003e","products":[{"product_id":"from-galls-to-nettles-a-natural-ink-learning-series","title":"Botanical Ink Course Online — From Galls to Nettles","description":"\u003cp\u003eThis online series teaches the fundamentals of natural ink making across seven recorded sessions, so you can build skills at your own pace.\u003c\/p\u003e\n\n\u003ch2\u003eWhat you'll learn\u003c\/h2\u003e\n\n\u003cp\u003eEach session goes deep into one topic, building toward a comprehensive foundation in botanical ink-making you can apply to your art, writing, or creative practice. Recordings are available for all sessions — the live sessions have already run, so you can start immediately and watch in any order. Every session includes a PDF with slides, comprehensive notes, and a summary of the Q\u0026amp;A, so you can skim the material and jump straight to the part you need.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSession 1: Introduction to Wild Colour\u003c\/strong\u003e. An overview of how and where Princetown Press makes its inks and fine art.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSession 2: Making Oak Gall Ink\u003c\/strong\u003e. The classic technique used by artists and writers for centuries, including how to find or buy oak galls.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSession 3: Making Ink with Tannin-Rich Plants\u003c\/strong\u003e. Extraction techniques for oranges, reds, and blacks from plants in your area.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSession 4: Ink from Kitchen Scraps\u003c\/strong\u003e. Turning avocado stones, red cabbage, and onion skins into ink.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSession 5: Modifiers for Botanical Inks\u003c\/strong\u003e. Adjusting pH and adding iron to change colour and improve lightfastness.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSession 6: Ageing Inks\u003c\/strong\u003e. How inks change over time, and how to spot natural ageing versus spoilage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSession 7: Nettle Inks\u003c\/strong\u003e. Making fresh ink and dried pigments from nettles as the plants emerge in spring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003ePerfect for:\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eArtists wanting to expand their natural materials toolkit\u003c\/li\u003e\n\u003cli\u003eCalligraphers interested in growing beyond store-bought colours\u003c\/li\u003e\n\u003cli\u003eWriters interested in traditional ink-making\u003c\/li\u003e\n\u003cli\u003eAnyone curious about working with botanical colours\u003c\/li\u003e\n\u003cli\u003eThose who want to learn at their own pace with recorded access\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\n\u003ch2\u003eCommon questions\u003c\/h2\u003e\n\n\u003ch3\u003eDo I need any special equipment?\u003c\/h3\u003e\n\u003cp\u003eNone to watch the recordings. Most recipes use kitchen-safe ingredients and equipment you already own, or materials you can forage for free.\u003c\/p\u003e\n\n\n\u003ch3\u003eIs this course live or recorded?\u003c\/h3\u003e\n\u003cp\u003eAll seven sessions are fully recorded — the original live sessions have concluded, so you can sign up and start at any time, in any order.\u003c\/p\u003e\n\n\u003ch3\u003eDo I need any prior experience to take this course?\u003c\/h3\u003e\n\u003cp\u003eNo — the series is designed to take a complete beginner through to a confident, self-sufficient ink-maker.\u003c\/p\u003e\n\n\u003ch3\u003eWhat's included with each session?\u003c\/h3\u003e\n\u003cp\u003eEach session includes the recorded video, a PDF of slides and notes, and a written summary of the live Q\u0026amp;A from that session.\u003c\/p\u003e\n\n\u003ch3\u003eHow much does the course cost?\u003c\/h3\u003e\n\u003cp\u003e£20 for the complete seven-session series, including all recordings, handouts, and supplier recommendations.\u003c\/p\u003e\n\n\u003ch3\u003eWant to go deeper?\u003c\/h3\u003e\n\n\u003cp\u003eIf you find yourself inspired by these techniques and want hands-on guidance, in-person workshops are also available at the Devon studio — full-day sessions with individual attention and professional equipment.\u003c\/p\u003e\n\n\u003cp\u003eFor landowners or estates interested in how this practice translates into a commissioned piece for a specific place, \u003ca href=\"https:\/\/www.princetownpress.live\/collections\/custom-letterpress-posters-stationery\"\u003eget in touch about a commission\u003c\/a\u003e.\u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":54657808761217,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/ink-strips-modified.jpg?v=1756140817"},{"product_id":"set-of-four-oak-greeting-cards","title":"Set of four oak greeting cards","description":"\u003cp\u003eFour original botanical prints with letterpress back. Hand numbered, edition of 50. The text on the back is the same that's on our large format botanical specimens, with a card dedicated to each of the history, lore, botany, and ink production.\u003c\/p\u003e\n\u003cp\u003eEach of these four themes is represented on the front with an original oak ink specimen. There are four designs in total:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnmodified gall ink - ochre circle with iron \"highlights\" (black)\u003c\/li\u003e\n\u003cli\u003eIron modified gall ink - black circle\u003c\/li\u003e\n\u003cli\u003eIron modified gall ink with baking soda - black circle with pinks and sometimes oranges\u003c\/li\u003e\n\u003cli\u003eIron modified gall ink with citric acid - black circle with white \"snowflakes\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEach card is an original, so what you see here is a representation of what you will receive.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCards are individually wrapped in a protective bio bag for safe transport. Optionally, packaged in a box, perfect for gifting. \u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"No","offer_id":55021349011841,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":false},{"title":"Yes","offer_id":55021349044609,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/greeting-cards-set-flatlay.jpg?v=1759153768"},{"product_id":"dartmoor-oak-broadsheet","title":"Oak Broadsheet","description":"\u003cp class=\"whitespace-normal break-words\"\u003eA broadsheet is a single large sheet printed on one side - traditionally used for proclamations, news, and educational texts. This A4 letterpress broadsheet brings together all four passages about oak that appear on our largest collection pieces: botany, history \u0026amp; etymology, lore, and ink-making.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eHand-set in metal type and printed on our 1910 vintage treadle press, this piece works well as a framed companion to any work in the collection, or on its own as a reference guide to oak's deep relationship with Dartmoor.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe same text appears on the backs of our oak greeting cards, but this broadsheet format allows you to display the complete story in one elegant sheet.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003e\u003cstrong\u003eText includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"[\u0026amp;:not(:last-child)_ul]:pb-1 [\u0026amp;:not(:last-child)_ol]:pb-1 list-disc space-y-1.5 pl-7\"\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003e\n\u003cstrong\u003eBotany:\u003c\/strong\u003e Oak's distinctive features, mast years, and a selection of the species it supports\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003e\n\u003cstrong\u003eHistory \u0026amp; Etymology:\u003c\/strong\u003e From Celtic \u003cem\u003eduir\u003c\/em\u003e to the pollen record of oak's 9,500-year presence on Dartmoor\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003e\n\u003cstrong\u003eLore:\u003c\/strong\u003e The oak king, cycles of rebirth, and connections to time and memory\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words\"\u003e\n\u003cstrong\u003eInk:\u003c\/strong\u003e The centuries-old process of transforming oak galls into permanent ink through iron and chemistry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eSingle-sided letterpress printing on British-made recycled Five Seasons paper, which is a soft butter yellow. It is ready for framing.\u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":54810040861057,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/oak-broadsheet_c59fd54b-4246-415a-a390-c3fc07ec4ea6.jpg?v=1759250355"},{"product_id":"on-the-record-a-short-essay-on-the-pollen-record-of-dartmoor","title":"On the record - A short essay on the pollen record of Dartmoor","description":"\u003cp\u003eIt's remarkable when science works, it's even more remarkable when the findings are reported in an accessible way. Too often, reports are hidden behind paywalls, and it becomes difficult to know that research has even happened. This leads to out-of-date findings getting more airtime than the newer and up-to-date research. The old findings become folklore, impossible to modernise.\u003c\/p\u003e\n\u003cp\u003eAfter reading a few popular science (or \"pop-sci\") pieces on the Forest of Dartmoor, I started to think the history presented was a little too convenient. I became curious and started to dig. Since the oft-quoted report from Ian Simmons in 1964, there are several generations of newer research which describe, with more nuance, the history of trees on Dartmoor. What I found was interesting \u003cem\u003ebecause \u003c\/em\u003eof its complexity, but it certainly wasn't \u003cem\u003econvenient\u003c\/em\u003e or \u003cem\u003eeasy\u003c\/em\u003e for storytelling.\u003c\/p\u003e\n\u003cp\u003eIn this short essay, I talk about my experience with palaeoenvironmental reconstruction in the 1990s, give a brief explanation of how this process works, then I provide the highlights of the history of trees on Dartmoor -- and some of the inconsistencies that make Dartmoor incredibly interesting.\u003c\/p\u003e\n\u003cp\u003eThe essay is not a formal, scientific summary of the research conducted here. Rather, it's meant to tickle your curiosity, and nudge you into doing more research, not just about the pollen record on Dartmoor, but other topics you might have felt were too \"convenient\" to be true.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandset, letterpress printed chapbook. Handbound with a pamphlet stitch.\u003c\/li\u003e\n\u003cli\u003eLimited to 100 copies.\u003c\/li\u003e\n\u003cli\u003eApproximately 2300 words, and including a bibliography.\u003c\/li\u003e\n\u003cli\u003ePrinted on British papers: Five Seasons 90gsm paper (internal). Cover is vintage Barcham Green watercolour paper, hand-dyed with willow ink, foraged on Dartmoor.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eYou will receive \u003cem\u003eone\u003c\/em\u003e copy of the book.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWho's it for?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDartmoor history buffs, interested in anything written about Dartmoor and with a very large book collection on the topic.\u003c\/li\u003e\n\u003cli\u003eBibliophiles who appreciate handmade things on niche topics.\u003c\/li\u003e\n\u003cli\u003ePeople who distrust tidy narratives generally, and perhaps more specifically people already sceptical of rewilding rhetoric. If you've raised an eyebrow at The Wildwood of Britain narrative, this book is for you.\u003c\/li\u003e\n\u003cli\u003eWalkers and naturalists with an intellectual bent. If you want to know more about the story that's held in the ground you walk on, again, this book is for you.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor those who are interested in the \"making of\", there is a series of blog posts available from our newsletter. You can \u003ca href=\"https:\/\/princetownpress.kit.com\/\"\u003eread them here\u003c\/a\u003e.\u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":55435819876737,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/ontherecord-square.jpg?v=1779261337"},{"product_id":"on-the-record-broadsheet","title":"On the Record Broadsheet — Limited Edition Letterpress Broadsheet on the Pollen History of Dartmoor (Edition of 70)","description":"\u003cp\u003eThis A4 letterpress broadsheet traces ten thousand years of Dartmoor's ecological history, drawn from the microscopic pollen records preserved beneath its soils and lake beds. \u003cem\u003eOn the Record\u003c\/em\u003e gathers four short passages — \u003cem\u003eRetrieving the Record\u003c\/em\u003e, \u003cem\u003eThe Early Years\u003c\/em\u003e, and \u003cem\u003eClosing Time\u003c\/em\u003e — that follow the science of paleoecology from laboratory core sample to landscape-scale story, charting the arrival of birch and pine after the glaciers, the rise and fall of oak and hazel woodland, the spread of alder into waterlogged soils, and the eventual loss of the high moor's tree cover through fire, human use, and the felling work of medieval tinners.\u003c\/p\u003e\n\u003cp\u003eA broadsheet is a single large sheet printed on one side, traditionally used for proclamations, news, and educational texts — a fitting format for a piece that compresses millennia of environmental change into one readable page. Hand-set in metal type and printed on our 1910 vintage treadle press by Princetown Press in 2026, each sheet carries the subtle impression and tactile depth that only true letterpress printing can produce.\u003c\/p\u003e\n\u003cp\u003eThis is a \u003cstrong\u003estrictly limited edition of only 70 copies\u003c\/strong\u003e, making it a collectible piece for those who value fine press editions and the small-batch craft of traditional printing. Printed single-sided and ready for framing, it works as a standalone reference print or as a thoughtful companion to other broadsheets and prints in the Dartmoor collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Perfect Gift For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLovers of Dartmoor, Devon, and the West Country\u003c\/strong\u003e — anyone drawn to the deep history of moorland landscapes and the forces that shaped them\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNaturalists, ecologists, and environmental scientists\u003c\/strong\u003e — particularly those with an interest in paleoecology, pollen analysis, palynology, Holocene climate history, or rewilding\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArchaeology and prehistory enthusiasts\u003c\/strong\u003e — readers fascinated by the Mesolithic, Neolithic, and Bronze Age peoples who reshaped the British uplands\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBibliophiles and print collectors\u003c\/strong\u003e — letterpress devotees, printmakers, and collectors of fine press editions who appreciate hand-set metal type, treadle-press printing, and strictly limited runs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnyone with a shelf full of nature writing, landscape history, or deep-time science books\u003c\/strong\u003e waiting for a framed companion on the wall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIdeal for these occasions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHousewarmings, especially for someone moving to the moors or the countryside\u003c\/li\u003e\n\u003cli\u003eGraduations in ecology, archaeology, geography, or earth sciences\u003c\/li\u003e\n\u003cli\u003eRetirement gifts for academics, scientists, or rangers\u003c\/li\u003e\n\u003cli\u003eBirthdays and thank-you gifts for the friend whose bookshelf is half Robert Macfarlane and Kathleen Jamie.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":55628856361345,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/on-the-record-broadsheet.jpg?v=1777983778"},{"product_id":"oak-mini-box-frame","title":"Oak mini - box frame","description":"\u003cp\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApproximate dimensions: Art work: 3\" x 3\" (7.5cm). Frame: 5.5\" x 5.5\" (14cm).\u003c\/li\u003e\n\u003cli\u003eFramed with museum-quality ArtGlass offering 92% UV protection to protect your artwork (manufacturer's certificate included).\u003c\/li\u003e\n\u003cli\u003eCertificate of authenticity for the artwork is also included with the year of completion, key ingredients, and artist contact details.\u003c\/li\u003e\n\u003cli\u003eProfessional frames assembled in the UK by framers with over 40 years industry experience.\u003c\/li\u003e\n\u003cli\u003eReady to ship within two business days.\u003c\/li\u003e\n\u003cli\u003eUK shipping included; international shipping calculated at checkout.\u003c\/li\u003e\n\u003cli\u003eShipped fully insured with protective packaging.\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhotographed in natural light so you'll see exactly what you'll receive. Don't hesitate too long, as these are one-of-a-kind. Once it's gone, it's gone.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCare instructions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDisplay out of direct sunlight to preserve the natural pigments for generations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eProcess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrom oak trees on Dartmoor, we collect the discarded galls once used by wasps. Over the course of a year, we collect sufficient galls to make a batch of ink. It is unusual to find more than a few galls on each tree. The foraging process takes time and local knowledge to locate the trees and ensure the wasp's lifecycle has completed before harvest. The galls are crushed, and then cooked in water. The tannins leach out, producing a warm, ochre or tan-coloured solution. To this we add a binder to protect the pigments, and ensure the colour cannot be brushed off the page. \u003c\/p\u003e\n\u003cp\u003eWe then allow the ink to dance alchemically on the page: to create the rocks and tors of our landscape, we add iron, which transforms the ochre to blacks and greys. Next, a solution of tin is added to create the foreground. Tin lightens the blacks, and often adds new texture to the piece as tin will shrink as it dries, creating cracks in the ink. Finally, a sprinkle of citric acid crystals are added across the top. Not too soon, or they will wash away, but at just the right moment it is possible to sprinkle stars and snowflakes into the sky.\u003c\/p\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":55839622070657,"sku":null,"price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/braid-frame.jpg?v=1782373579"},{"product_id":"wild-colour-tree-specimen-1","title":"Wild Colour, Tree Specimen 1","description":"\u003cp\u003eA windswept oak drawn in ink made from its own galls, its slender branches reaching up towards a mist of clouds. At the base of the tree, the ink has dried into a black pool, threaded with fine frost-like crystals, giving the tree the look of something rooted in granite and weather. One of two in this style within the edition.\u003c\/p\u003e\n\u003ch2\u003eDetails\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInk:\u003c\/strong\u003e Oak gall ink (\u003cem\u003eAndricus kollari\u003c\/em\u003e, foraged on Dartmoor) with gum arabic, modified with iron II sulphate\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLetterpress text:\u003c\/strong\u003e\u003cem\u003e Oak, Quercus spp.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePaper:\u003c\/strong\u003e 270gsm handmade watercolour paper, c.1983 Barcham Green\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariable edition:\u003c\/strong\u003e Letterpress caption in an edition of 18. 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Each of the 18 pieces carries the same printed text, but the inkwork on every sheet is unique.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePaper size:\u003c\/strong\u003e 14 × 19.5 cm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMounted, ready for framing\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eUnsigned, with a certificate of authenticity\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Princetown Press","offers":[{"title":"Default Title","offer_id":56457394160001,"sku":null,"price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0807\/2842\/4733\/files\/OakSpecimen_Tree_02.jpg?v=1793110623"}],"url":"https:\/\/www.princetownpress.live\/collections\/oak.oembed","provider":"Princetown Press","version":"1.0","type":"link"}